[T]he folks at Joybird decided to dive in a little bit deeper to see which TV characters could actually afford their lifestyles, and they determined that of the 30 characters analyzed, 60 percent could not afford their digs. Let's just say things are a bit more affordable in Hawkins, Indiana than on the Upper East Side.Here are a few of their results:
Showing posts with label celebrities. Show all posts
Showing posts with label celebrities. Show all posts
Thursday, October 11, 2018
Can Characters of Various TV Shows Afford Their Lifestyles?
I certainly love analysis of pop culture data. So of course I have to share this fun bit of analysis I found on Apartment Therapy today: could the cast of Friends, How I Met Your Mother, or Seinfeld (to name a few) afford the lifestyles portrayed on these shows? Not really:
Sunday, July 29, 2018
Statistics Sunday: More Text Analysis - Term Frequency and Inverse Document Frequency
These tools are useful when you have multiple documents you're analyzing, such as interview text from different people or books by the same author. For my demonstration today, I'll be using (what else?) song lyrics, this time from Florence + the Machine (one of my all-time favorites), who just dropped a new album, High as Hope. So let's get started by pulling in those lyrics.
library(geniusR) high_as_hope <- genius_album(artist = "Florence the Machine", album = "High as Hope")
## Joining, by = c("track_title", "track_n", "track_url")
library(tidyverse)
library(tidytext) tidy_hope <- high_as_hope %>% unnest_tokens(word,lyric) %>% anti_join(stop_words)
## Joining, by = "word"
head(tidy_hope)
## # A tibble: 6 x 4 ## track_title track_n line word ## <chr> <int> <int> <chr> ## 1 June 1 1 started ## 2 June 1 1 crack ## 3 June 1 2 woke ## 4 June 1 2 chicago ## 5 June 1 2 sky ## 6 June 1 2 black
Now we have a tidy dataset with stop words removed. Before we go any farther, let's talk about the tools we're going to apply. Often, when we analyze text, we want to try to discover what different documents are about - what are their topics or themes? One way to do that is to look at common words used in a document, which can tell us something about the document's theme. An overall measure of how often a term comes up in a particular document is term frequency (TF).
Removing stop words is an important step before looking at TF, because otherwise, the high frequency words wouldn't be very meaningful - they'd be words that fill every sentence, like "the" or "a." But there still might be many common words that don't get weeded out by our stop words anti-join. And it's often the less frequently used words that tell us something about the meaning of a document. This is where inverse document frequency (IDF) comes in; it takes into account how common a word is across a set of documents, and gives higher weight to words that are infrequent across a set of documents and lower weight to common words. This means that a word used a great deal in one song but very little in the other songs will have a higher IDF.
We can use these two values at the same time, by multiplying them together to form TF-IDF, which tells us the frequency of the term in a document adjusted for how common it is across a set of documents. And thanks to the tidytext package, these values can be automatically calculated for us with the bind_tf_idf function. First, we need to reformat our data a bit, by counting use of each word by song. We do this by referencing the track_title variable in our count function, which tells R to group by this variable, followed by what we want R to count (the variable called word).
song_words <- tidy_hope %>% count(track_title, word, sort = TRUE) %>% ungroup()
The bind_tf_idf function needs 3 arguments: word (or whatever we called the variable containing our words), the document indicator (in this case, track_title), and the word counts by document (n).
song_words <- song_words %>% bind_tf_idf(word, track_title, n) %>% arrange(desc(tf_idf)) head(song_words)
## # A tibble: 6 x 6 ## track_title word n tf idf tf_idf ## <chr> <chr> <int> <dbl> <dbl> <dbl> ## 1 Hunger hunger 25 0.236 2.30 0.543 ## 2 Grace grace 16 0.216 2.30 0.498 ## 3 The End of Love wash 18 0.209 2.30 0.482 ## 4 Hunger ooh 20 0.189 2.30 0.434 ## 5 Patricia wonderful 10 0.125 2.30 0.288 ## 6 100 Years hundred 12 0.106 2.30 0.245
Some of the results are unsurprising - "hunger" is far more common in the track called "Hunger" than any other track, "grace" is more common in "Grace", and "hundred" is more common in "100 Years". But let's explore the different words by plotting the highest tf-idf for each track. To keep the plot from getting ridiculously large, I'll just ask for the top 5 for each of the 10 tracks.
song_words %>% mutate(word = factor(word, levels = rev(unique(word)))) %>% group_by(track_title) %>% top_n(5) %>% ungroup() %>% ggplot(aes(word, tf_idf, fill = track_title)) + geom_col(show.legend = FALSE) + labs(x = NULL, y = "tf-idf") + facet_wrap(~track_title, ncol = 2, scales = "free") + coord_flip()
## Selecting by tf_idf
Some tracks have more than 5 words listed, because of ties, but this plot helps us to look for commonalities and differences across the tracks. There is a strong religious theme across many of the tracks, with concepts like "pray", "god", "grace", and "angel" coming up in many tracks. The song "Patricia" uses many positively-valenced words like "wonderful" and "believer". "No Choir" references music-themed words. And "Sky Full of Song" references things that fly (like "arrow") and things in the sky (like "thunder").
What does Florence Welch have to say about the meaning behind this album?
There is loneliness in this record, and there's issues, and pain, and things that I struggled with, but the overriding feeling is that I have hope about them, and that's what kinda brought me to this title; I was gonna call it The End of Love, which I actually saw as a positive thing cause it was the end of a needy kind of love, it was the end of a love that comes from a place of lack, it's about a love that's bigger and broader, that takes so much explaining. It could sound a bit negative but I didn't really think of it that way.
She's also mentioned that High as Hope is the first album she made sober, so her past struggles with addiction are certainly also a theme of the album. And many reviews of the album (like this one) talk about the meaning and stories behind the music. This information can provide some context to the TF-IDF results.
Wednesday, May 23, 2018
Bad Lip Reading of the Royal Wedding
The more I learn about Megan Markle, the more I love her - especially when I read about her rescue Beagle, Guy. (Thanks to the lovely weather in Chicago and the many people out walking their dogs, I've gotten to pet many puppies over the last couple days, including an incredibly sweet 12-week-old German Shepherd mix this morning.)
And on the subject of Megan Markle: whether you watched the Royal Wedding or not (and no judgment either way), I highly recommend this hilarious Bad Lip Reading of the event:
And on the subject of Megan Markle: whether you watched the Royal Wedding or not (and no judgment either way), I highly recommend this hilarious Bad Lip Reading of the event:
Friday, May 18, 2018
What Makes a Song (More) Popular
Earlier this week, the Association for Psychological Science sent out a press release about a study examining what makes a song popular:
I love this study idea, especially since I've started doing some text and lyric analysis on my own. (Look for another one Sunday, tackling the concept of sentiment analysis!) But I do have a criticism. This research used songs listed in the Billboard Top 50 by genre. While it would be impossible to analyze every single song that comes out a given time, this study doesn't really answer the question of what makes a song popular, but what determines how popular an already popular song is. The advice in the press release (To Climb the Charts, Write Lyrics That Stand Out), may be true for established artists who are already popular, but it doesn't help that young artist trying to break onto the scene. They're probably already writing lyrics to try to stand out. They just haven't been noticed yet.
Researchers Jonah Berger of the University of Pennsylvania and Grant Packard of Wilfrid Laurier University were interested in understanding the relationship between similarity and success. In a recent study published in Psychological Science, the authors describe how a person’s drive for stimulation can be satisfied by novelty. Cultural items that are atypical, therefore, may be more liked and become more popular.The study, which is was published online ahead of print, used a method of topic modeling called latent Dirichlet allocation. (Side note, this analysis is available in the R topicmodels package, as function LDA. It requires a document term matrix, which can be created in R. Perhaps a future post!) The LDA extracted 10 topics from the lyrics of songs spanning seven genres (Christian, country, dance, pop, rap, rock, and rhythm and blues):
“Although some researchers have argued that cultural success is impossible to predict,” they explain, “textual analysis of thousands of songs suggests that those whose lyrics are more differentiated from their genres are more popular.”
- Anger and violence
- Body movement
- Dance moves
- Family
- Fiery love
- Girls and cars
- Positivity
- Spiritual
- Street cred
- Uncertain love
I love this study idea, especially since I've started doing some text and lyric analysis on my own. (Look for another one Sunday, tackling the concept of sentiment analysis!) But I do have a criticism. This research used songs listed in the Billboard Top 50 by genre. While it would be impossible to analyze every single song that comes out a given time, this study doesn't really answer the question of what makes a song popular, but what determines how popular an already popular song is. The advice in the press release (To Climb the Charts, Write Lyrics That Stand Out), may be true for established artists who are already popular, but it doesn't help that young artist trying to break onto the scene. They're probably already writing lyrics to try to stand out. They just haven't been noticed yet.
Monday, March 19, 2018
A Very Timely Hamildrop
Just a few days ago, children across the country walked out of their schools to protest gun violence. On March 24, the March for Our Lives will take place in Washington D.C. and other communities, for a similar purpose. And today, Lin-Manuel Miranda and Ben Platt released the newest Hamildrop, Found Tonight, the proceeds of which will go to benefit March for Our Lives:
It's amazing how many issues currently being debated in this country can be found in Hamilton: immigration and the contribution of immigrants, and now gun violence and the death of our children. While the situation in which Alexander Hamilton lost his son Philip is different from what is happening in our country now, a parallel can still be made. Perhaps that is why Hamilton has resonated with so many people.
It's amazing how many issues currently being debated in this country can be found in Hamilton: immigration and the contribution of immigrants, and now gun violence and the death of our children. While the situation in which Alexander Hamilton lost his son Philip is different from what is happening in our country now, a parallel can still be made. Perhaps that is why Hamilton has resonated with so many people.
Friday, March 16, 2018
Psychology for Writers: Knowledge and Perceived Competence
Every once in a while, a psychology theory comes along that is so good, I share it with pretty much everyone, not just fellow psychologists or the psychology-oriented friends. And a great example is the Dunning Kruger effect, which I've blogged about so many times. I share it again today, as a psychology for writers post because I think it is such a good descriptor of human behavior that it could easily influence how you write characters.
The Dunning Kruger effect describes the relationship between actual knowledge and perceived competence (how much knowledge you think you have or how well you know a topic). But to even begin to make accurate ratings on your own competence, you need to know enough about that topic, and, most importantly you need to know just how much you don't know.
If that description doesn't make sense, don't worry - I'm about to break things down. People who know very little about a topic and people who know a lot about a topic often rate their perceived competence very similarly. Why? People who know very little about a topic simply don't know enough to know how much there is to know on a topic. So they may underestimate how much work it takes to become an expert. In essence, they ask "How hard can it be?"
But people who have moderate levels of knowledge on a topic rate their competence much lower - lower than people with high levels of knowledge, yes, but also lower than people with low levels of knowledge. They now have enough knowledge on a topic to be aware of how much more work it would take to become an expert.
If you, like me, prefer to see things plotted out to make sense of them, I offer this graph from a Story.Fund post about the Dunning Kruger effect:
And if you'd like a real life example of the Dunning Kruger effect, I know of no better example than our President, who constantly speaks about topics he knows little about as though he were an expert.
What does this mean for your characters? It explains why complete beginners will often charge into something they know little about - and end up in over their heads. This happens a lot in fiction. But it also means that someone with a moderate amount of competence on something will be extremely cautious and not confident in their abilities. It could explain why someone chooses not to help that brash character that rushes in blindly - they don't have to be uncaring or even have poor self esteem to feel that way. They are simply more aware of their shortcomings and gaps in knowledge.
The Dunning Kruger effect describes the relationship between actual knowledge and perceived competence (how much knowledge you think you have or how well you know a topic). But to even begin to make accurate ratings on your own competence, you need to know enough about that topic, and, most importantly you need to know just how much you don't know.
If that description doesn't make sense, don't worry - I'm about to break things down. People who know very little about a topic and people who know a lot about a topic often rate their perceived competence very similarly. Why? People who know very little about a topic simply don't know enough to know how much there is to know on a topic. So they may underestimate how much work it takes to become an expert. In essence, they ask "How hard can it be?"
But people who have moderate levels of knowledge on a topic rate their competence much lower - lower than people with high levels of knowledge, yes, but also lower than people with low levels of knowledge. They now have enough knowledge on a topic to be aware of how much more work it would take to become an expert.
If you, like me, prefer to see things plotted out to make sense of them, I offer this graph from a Story.Fund post about the Dunning Kruger effect:
And if you'd like a real life example of the Dunning Kruger effect, I know of no better example than our President, who constantly speaks about topics he knows little about as though he were an expert.
What does this mean for your characters? It explains why complete beginners will often charge into something they know little about - and end up in over their heads. This happens a lot in fiction. But it also means that someone with a moderate amount of competence on something will be extremely cautious and not confident in their abilities. It could explain why someone chooses not to help that brash character that rushes in blindly - they don't have to be uncaring or even have poor self esteem to feel that way. They are simply more aware of their shortcomings and gaps in knowledge.
Wednesday, March 14, 2018
Bend and Snap
This is quite possibly the cutest thing ever:
That's right - reporter Lucy Jayne Ford wrote a dissertation on Legally Blonde and was able to give star Reese Witherspoon a copy of it:The moment I handed @RWitherspoon my 15,000 dissertation/love letter to Legally Blonde - and yes, it was scented. I blacked out somewhere between her taking it and Oprah saying 'wow' #WrinkleInTime pic.twitter.com/56XV8FElqV— Lucy Jayne F🌸rd (@lucyj_ford) March 13, 2018
Lucy Jayne Ford, a reporter for Bauer Media in London, was at a press junket to interview Witherspoon and her Wrinkle in Time co-stars Oprah Winfrey and Mindy Kaling, but couldn’t resist the opportunity to show her admiration for Witherspoon.
“I want to start by saying I’m obviously a gigantic fan of all of you; Reese, I actually wrote 15,000 words on you once,” Ford said before handing Reese a copy of her lengthy dissertation and explaining that she had watched the film 800 times to write it.
While Ford conducted her interview after giving Witherspoon the dissertation, Witherspoon made sure to ask her one burning question that Elle Woods most definitely would have approved of before their time ended.
“I have just one question,” Witherspoon said. “Is it scented?”
“I actually put perfume on it before this,” Ford confided.
Monday, March 5, 2018
Hamildrop - How Lucky We Are To Be Alive Right Now
If you haven't yet listened to The Hamilton Polka, why?
Now you have no excuse:
It must be nice, it must be nice to have so many talented friends. This is the second Hamildrop - expect one each month this year! (That's right - there will be 10 more!) And so you don't miss the next Hamildrop - check here and just you wait.
Now you have no excuse:
It must be nice, it must be nice to have so many talented friends. This is the second Hamildrop - expect one each month this year! (That's right - there will be 10 more!) And so you don't miss the next Hamildrop - check here and just you wait.
Friday, December 1, 2017
Link Round-Up
Happy Friday, everyone! Here are the tabs I have open, that I've either read or will be reading soon:
- The closest The Room will ever get to winning an Oscar - the "making of" comedy, The Disaster Artist starring James Franco is getting some Oscar buzz
- Matt Lauer has commented on the sexual harassment allegations - my favorite part is where he says, "Repairing the damage will take a lot of time and soul searching and I'm committed to beginning that effort. It is now my full time job." Translation: Look how hard I'm working to make it right. And, oh yeah, I'm reminding you that I no longer have a full-time job. Pardon me while I make the "nobody cares" motion. You guys know the one I'm talking about.
- Speaking of men behaving badly, a friend shared this older article that details the history of Chevy Chase pissing people off, and apparently being racist and sexist. He's Chevy Chase, and I'm not. And for that, I'm thankful.
- Finally, the APS Observer publishes an article about the hidden costs of sleep deprivation
Labels:
celebrities,
gender,
lists,
movies
Friday, October 20, 2017
On Victim Blaming, Trust, and the "Me Too" Movement
Yesterday, I finally participated in the "me too" movement, sharing mostly the aftermath of an event from my childhood. It's sad how many people in my life have shared their own "me too" story, and how many of them come from people experiencing a "me too" moment multiple times. In addition to sharing their stories, some have shared their thoughts on the movement in general, and whether (for example) using the same tag for both harassment and assault somehow lessens the experience of survivors. For instance, Kaitlyn Buss writes:
At the same time, the point is not who has had the worse experience. It isn't a competition. What happened to me was horrible. But worse things have happened to thousands of others. Making people justify why their experience is worse than others is nothing more than thinly veiled victim blaming. It's forcing men and women to explain why their experience was most egregious, which usually translates to least preventable and therefore, not the victim's fault. But regardless of what the victim was wearing, consuming, saying, or doing, it isn't the victim's fault that another person took away their autonomy.
And others point out, sexual harassment is a part of rape culture. If we normalize that, it becomes more and more difficult to draw the line between innocuous and offensive. Instead of empowering women that they don't have to stand for that treatment, we're empowering abusers to keep pushing the line until it ultimately breaks.
In light of the movement, a post from 2014 is making the rounds again: Men Just Don't Trust Women. And This is a Problem by Damon Young. I highly encourage you to read the whole thing, but here's one section that really struck me:
[S]exual harassment and sexual assault are very different things. Even with Harvey Weinstein’s reported abuses, most of the accounts describe uncomfortable advances that women were mostly able to reject.I'll admit, when I first saw the "me too" stories, I was initially frustrated for many of the same reasons Buss highlights. Not because I was disappointed that all these women hadn't experienced an assault - this is something I would never wish on anyone, even my worst enemy - but because I worried that wouldn't understand why my experience of a lewd comment or tasteless joke was so different. Why a street harasser might be an annoying inconvenience for some, but an event that triggers symptoms of years of undiagnosed PTSD for others.
Conflating harassment and assault insults those who have actually been sexually assaulted. It cheapens the trauma they’ve endured.
But I was a victim of repeated sexual assault as a 4-year-old. I’m someone who should feel empowered by the recent wave of attention. Instead, it feels empty.
Harassment involves words and innuendo. It’s uncomfortable and unfair, and can certainly affect career mobility — as Hollywood’s leading women have now decided to emphasize. But it can be rebutted. It typically doesn’t involve violence or physical force. It takes place on street corners, in offices, bars, movie studios and pretty much anywhere people interact.
Assault, on the other hand, is one of the most brutal experiences a person can endure — at any age and in any situation.
At the same time, the point is not who has had the worse experience. It isn't a competition. What happened to me was horrible. But worse things have happened to thousands of others. Making people justify why their experience is worse than others is nothing more than thinly veiled victim blaming. It's forcing men and women to explain why their experience was most egregious, which usually translates to least preventable and therefore, not the victim's fault. But regardless of what the victim was wearing, consuming, saying, or doing, it isn't the victim's fault that another person took away their autonomy.
And others point out, sexual harassment is a part of rape culture. If we normalize that, it becomes more and more difficult to draw the line between innocuous and offensive. Instead of empowering women that they don't have to stand for that treatment, we're empowering abusers to keep pushing the line until it ultimately breaks.
In light of the movement, a post from 2014 is making the rounds again: Men Just Don't Trust Women. And This is a Problem by Damon Young. I highly encourage you to read the whole thing, but here's one section that really struck me:
The theme that women’s feelings aren’t really to be trusted by men drives (an estimated) 72.81% of the sitcoms we watch, 31.2% of the books we read, and 98.9% of the conversations men have with other men about the women in their lives. Basically, women are crazy, and we are not. Although many women seem to be very annoyed by it, it’s generally depicted as one of those cute and innocuous differences between the sexes.If we want to stop the spread of rape culture... If we want to empower survivors to come forward... If we want to weed out the abusers in schools, and churches, and scout troops... We need to believe people's experiences are valid. We need to trust that their feelings are not overreactions.
And perhaps it would be, if it were limited to feelings about the dishes or taking out the garbage. But, this distrust can be pervasive, spreading to a general skepticism about the truthfulness of their own accounts of their own experiences. If women’s feelings aren’t really to be trusted, then naturally their recollections of certain things that have happened to them aren’t really to be trusted either.
This is part of the reason why it took an entire high school football team full of women for some of us to finally just consider that Bill Cosby might not be Cliff Huxtable. It’s how, despite hearing complaints about it from girlfriends, homegirls, cousins, wives, and classmates, so many of us refused to believe how serious street harassment can be until we saw it with our own eyes. It’s why we needed to see actual video evidence before believing the things women had been saying for years about R. Kelly.
Tuesday, September 12, 2017
Is Anybody Listening?
As a follow-up to my post earlier today about Hillary Clinton's new book, What Happened, here's an article from FiveThirtyEight, in which Walt Hickey examines whether people actually read (and finish) these books using data from Audiobooks.com:
The difference between proportion and time can also be seen in the books with the lowest averages. While Rand Paul's Taking a Stand had the lowest completion rate of 30.5%, Hillary Clinton's It Takes a Village had the lowest listen time at 1.3 hours (which corresponded to 48.2% of the book).
It begs the question, "What are words for if no one listens anymore?"
I was curious how far readers typically make it through these books. I couldn’t get any reading data, but I reached out to Audiobooks.com for listening data on political memoirs by presidential candidates going back to the 2000 election. We focused on books by every “serious” candidate published before or shortly after each presidential election — “serious” as defined by my colleague Harry Enten back before the 2016 election. (Basically, any candidate who held a major political office before running or got at least a bit of the vote in Iowa or New Hampshire.) Audiobooks.com was able to find the books with more than 10 downloads and sent over the average percentage of the book that listeners sat through.The book with the highest proportion listened to was John McCains's Faith of My Fathers, for which the average completion rate was 74.7%. But part of that high completion rate was the total length of the book: this audiobook could be completed in 4.8 hours, and the average user listened to 3.6 hours. The book with the longest time listened to was George W. Bush's Decision Points, which had a 59.7% completion rate that corresponded to 12 (of 20.2) hours.
Before we get to the data, there are some caveats! If you don’t see a book on here, remember that not all books have an audio version widely available. Moreover, sales for some of these books peaked long before Audiobooks.com began collecting data. Second, if a completion rate number seems low, keep in mind that most people don’t finish reading most things. Most likely, less than half of the people who started this article made it to this sentence. It’s the nature of the game.
The difference between proportion and time can also be seen in the books with the lowest averages. While Rand Paul's Taking a Stand had the lowest completion rate of 30.5%, Hillary Clinton's It Takes a Village had the lowest listen time at 1.3 hours (which corresponded to 48.2% of the book).
It begs the question, "What are words for if no one listens anymore?"
Monday, August 14, 2017
On Charlottesville and Trump
As you probably already know, a rally calling itself "Unite the Right" convened this weekend in Charlottesville, VA, to protest the removal of a monument to Robert E. Lee. The rally quickly turned violent when a car was driven into an anti-racism protest organized as a response to the Unite the Right rally; 19 were injured and 1 was killed. Two state police officers called to assist with maintaining order also died in a helicopter crash.
Many were calling for the President to respond to the rally.
When the President eventually did respond, he failed to distance himself from these individuals and the organizations they represent, and emphasized that there was violence and hatred on many sides:
I walk by Trump Tower in Chicago every day on my way to work. Here's what I saw in front of the building today:
Many were calling for the President to respond to the rally.
Hell of a day for the President to forget how to tweet. pic.twitter.com/ABffmwwH8D— J.K. Rowling (@jk_rowling) August 12, 2017
When the President eventually did respond, he failed to distance himself from these individuals and the organizations they represent, and emphasized that there was violence and hatred on many sides:
We condemn in the strongest possible terms this egregious display of hatred, bigotry and violence, on many sides. On many sides. It's been going on for a long time in our country. Not Donald Trump, not Barack Obama. This has been going on for a long, long time.As Julia Azari of FiveThirtyEight points out, though Presidential responses to racial violence have always been rather weak, Trump's are even weaker.
I walk by Trump Tower in Chicago every day on my way to work. Here's what I saw in front of the building today:
Friday, June 30, 2017
How the White House Response to Trump's Twitter Attack May Signal a Bigger Problem
Yesterday, Trump once again took to Twitter to mock a woman on her appearance, intellect, and attitude:
But she goes on to ask, "What about the constant attacks that he receives, or the rest of us?" This isn't the first time a statement such as this has been used by the current administration. This tactic is called "whataboutism" and it was frequently used by the Soviet Union:
President Trump lashed out Thursday at the appearance and intellect of Mika Brzezinski, a co-host of MSNBC’s “Morning Joe,” drawing condemnation from his fellow Republicans and reigniting the controversy over his attitudes toward women that nearly derailed his candidacy last year.When asked during the White House press briefing, Sarah Huckabee Sanders actually defended the President's action, and turned it around as an attack on the media:
Mr. Trump’s invective threatened to further erode his support from Republican women and independents, both among voters and on Capitol Hill, where he needs negotiating leverage for the stalled Senate health care bill.
The president described Ms. Brzezinski as “low I.Q. Crazy Mika” and claimed in a series of Twitter posts that she had been “bleeding badly from a face-lift” during a social gathering at Mr. Trump’s resort in Florida around New Year’s Eve. The White House did not explain what had prompted the outburst, but a spokeswoman said Ms. Brzezinski deserved a rebuke because of her show’s harsh stance on Mr. Trump.
The tweets ended five months of relative silence from the president on the volatile subject of gender, reintroducing a political vulnerability: his history of demeaning women for their age, appearance and mental capacity.
“The president has been attacked mercilessly … by that program. And I think he’s been very clear that, when attacked he’s going to hit back. The American people elected somebody who’s tough, who is smart and who is a fighter. It’s Donald Trump. And I don’t think it’s a surprise to anybody that he fights fire with fire."My favorite part was when she said the President has never encouraged violence. Yeah, we've heard that one before:
But she goes on to ask, "What about the constant attacks that he receives, or the rest of us?" This isn't the first time a statement such as this has been used by the current administration. This tactic is called "whataboutism" and it was frequently used by the Soviet Union:
Whataboutism is a propaganda technique used by the Soviet Union in its dealings with the Western world. When Cold War criticisms were levelled at the Soviet Union, the response would be "What about..." followed by the naming of an event in the Western world. It represents a case of tu quoque (appeal to hypocrisy), a logical fallacy that attempts to discredit the opponent's position by asserting the opponent's failure to act consistently in accordance with that position, without directly refuting or disproving the opponent's initial argument.In fact the Wikipedia article linked and quoted above contains an entire section on Trump's use of whataboutism. Now, to be fair, regular people use this tactic as well - this isn't purely a propaganda statement. But it is troubling when an administration uses it to deflect criticism without responding to it or making any changes because of it. I've already commented on some of the dangerous directions the current administration is taking. This is another manifestation of a frightening trend.
Monday, June 26, 2017
Reading Rainbow for Grown-Ups
I've gotten really into podcasts recently, in part because I'm thinking of doing one of my own and figured this was a good first step before taking the plunge - see what's out there, what works, etc. Last night, I discovered a new podcast I'm so excited to start listening to regularly: Levar Burton Reads.
That's right, Levar Burton, the actor from Roots and Star Trek: The Next Generation, as well as the children's program, Reading Rainbow will read you a piece of adult short fiction once a week. He's already two episodes in! He's also released an introductory episode to let you find out more:
Happy listening!
That's right, Levar Burton, the actor from Roots and Star Trek: The Next Generation, as well as the children's program, Reading Rainbow will read you a piece of adult short fiction once a week. He's already two episodes in! He's also released an introductory episode to let you find out more:
Happy listening!
Monday, May 22, 2017
Would You Like Fryes With That?: A Psychological Analysis of Fraud Victims
What started as an over-the-top music festival in the Bahamas ended up as a social media joke. The Frye Festival, which was supposed to take place in late April, was canceled - after guests had already started arriving:
Now, they're under federal investigation for fraud. In hindsight, the whole thing is clearly a scam. Websites disappeared because designers weren't getting paid. Past customers of previous services complained that special offers never materialized. Not to mention hearing from disgruntled past employees and contractors. In fact, it's so clearly a scam, it's surprising anyone fell for it.
It's very easy for us to look at all of this information now, and come to the conclusion that it was a scam. The problem with hindsight is that it's always 20/20. The same cannot be said for foresight but that doesn't stop people from saying they would have known all along. This is called hindsight bias.
There's probably also some victim blaming going on here. How could these people not know any better? Had we been in the same situation, of course we would have known. We distance ourselves from the victims of this fraud, because it helps us feel more safe, more in control of our world. The same thing could never happen to use because we wouldn't let it.
It's easy to understand reactions after-the-fact. What's more interesting, I think, is to try to figure out what got the attendees and contractors to buy into this fraud to begin with. We ask incredulously, "What were they thinking?" But seriously - what were they thinking?
Human beings are social creatures. We have to be. In order for our species to survive in a hostile environment, it was necessary for us to band together. We formed groups, which became tribes, which become whole societies. And in order to survive in these social structures, it was necessary for to have some trust in the people around us. You could argue that trust is an evolutionarily selected trait in humans. Let's face it, if you don't trust anyone else, it's really unlikely that you're going to reproduce. You have to at least trust one person to do that (at least, if you're reproducing on purpose).
So now we have a species pre-disposed toward trusting others. But we don't give our trust to just anyone - rather, to people we perceive as having certain traits. The more charismatic the leader, the more likely we are to trust them. And if everyone else in our social group trusts a certain person, we're more likely to trust that person too, at least externally.
Internally we may be more skeptical. If we look at the results of the Milgram study, we find that many people reported after the fact feeling very uncomfortable with what they were doing. They even had doubts as to whether they were doing the right thing. But they continued shocking the learner nonetheless. Why? Because somebody in the lab coat, somebody they perceived as having expertise, told them to. This person knows better than me, so I'm just going to keep doing what they say. It doesn't matter whether they actually have any expertise. It's the perception of expertise. And that is something charismatic leaders can do. They can convince you that they know more than they actually do, that they are an expert in something that you are not an expert in. Mc Farland had people believing that he was an expert in entertainment, technology, and rubbing elbows with celebrities. He had people convinced that he could help them to do the same thing.
I'm sure there are some people who didn't trust him. But they went along with him anyway, because there were people who did believe him, who believed that he could do exactly what he said he was going to do, despite instances in the past where he had simply wasted other people's money. But that's the nature of conformity. At the very least, if everyone else is doing it, that makes us more likely to question why we aren't doing it too. Maybe the rest of the group knows something that we don't. Maybe we're misreading the situation.
In the 1950s, Solomon Asch conducted what he said was a study on perception, that was actually a study of conformity. Actors who pretended to be fellow participants publicly selected what was clearly the wrong answer, to see if the true participant would do the same; 32% of participants conformed with the wrong answer every time across multiple trials, and 75% conformed at least once.
Obviously, there are some other cognitive fallacies occurring here and in similar scams. The sunk cost fallacy, for instance, would explain why people held onto the idea of the festival, especially if they kept paying into it over time. It's the same principle that keeps people pumping money into slot machines or staying in bad relationships - if I keep this up, eventually it will be worth it, and I've put in too much time, money, and/or effort to walk away now. That's what happens when something has a variable schedule of reinforcement. We learn from variable schedules that if you just keep it up, the reward will eventually come.
Combine the sunk cost fallacy with a charismatic leader, the promise of rubbing elbows with people we admire, and other members of our social group going along with it, and it's not surprising at all that people fell for this scam. The problem is that people are going to keep falling for it. The people who were hurt in this particular scam will probably learn their lesson and stay far away from McFarland and his endeavors. But there will always be others will fall for it. And they're unlikely to learn anything from the negative experience of their peers - they'll blame the victims, they'll insist they would have known all along, and they'll distance themselves from those who have been hurt. They'll think of them as the outgroup - people who aren't like them in the ways that matter - and ascribe negative characteristics to them.
There will always be people like McFarland. And there will always be people who fall for his song and dance.
On social media, where Fyre Festival had been sold as a selfie-taker’s paradise, accounts showed none of the aspirational A-lister excesses, with only sad sandwiches and free alcohol to placate the restless crowds. General disappointment soon turned to near-panic as the festival was canceled and attendees attempted to flee back to the mainland of Florida.
“Not one thing that was promised on the website was delivered,” said Shivi Kumar, 33, who works in technology sales in New York, and came with a handful of friends expecting the deluxe “lodge” package for which they had paid $3,500: four king size beds and a chic living room lounge. Instead Ms. Kumar and her crew were directed to a tent encampment. Some tents had beds, but some were still unfurnished. Directed by a festival employee to “grab a tent,” attendees started running, she said.
Now, they're under federal investigation for fraud. In hindsight, the whole thing is clearly a scam. Websites disappeared because designers weren't getting paid. Past customers of previous services complained that special offers never materialized. Not to mention hearing from disgruntled past employees and contractors. In fact, it's so clearly a scam, it's surprising anyone fell for it.
It's very easy for us to look at all of this information now, and come to the conclusion that it was a scam. The problem with hindsight is that it's always 20/20. The same cannot be said for foresight but that doesn't stop people from saying they would have known all along. This is called hindsight bias.
There's probably also some victim blaming going on here. How could these people not know any better? Had we been in the same situation, of course we would have known. We distance ourselves from the victims of this fraud, because it helps us feel more safe, more in control of our world. The same thing could never happen to use because we wouldn't let it.
It's easy to understand reactions after-the-fact. What's more interesting, I think, is to try to figure out what got the attendees and contractors to buy into this fraud to begin with. We ask incredulously, "What were they thinking?" But seriously - what were they thinking?
Human beings are social creatures. We have to be. In order for our species to survive in a hostile environment, it was necessary for us to band together. We formed groups, which became tribes, which become whole societies. And in order to survive in these social structures, it was necessary for to have some trust in the people around us. You could argue that trust is an evolutionarily selected trait in humans. Let's face it, if you don't trust anyone else, it's really unlikely that you're going to reproduce. You have to at least trust one person to do that (at least, if you're reproducing on purpose).
So now we have a species pre-disposed toward trusting others. But we don't give our trust to just anyone - rather, to people we perceive as having certain traits. The more charismatic the leader, the more likely we are to trust them. And if everyone else in our social group trusts a certain person, we're more likely to trust that person too, at least externally.
Internally we may be more skeptical. If we look at the results of the Milgram study, we find that many people reported after the fact feeling very uncomfortable with what they were doing. They even had doubts as to whether they were doing the right thing. But they continued shocking the learner nonetheless. Why? Because somebody in the lab coat, somebody they perceived as having expertise, told them to. This person knows better than me, so I'm just going to keep doing what they say. It doesn't matter whether they actually have any expertise. It's the perception of expertise. And that is something charismatic leaders can do. They can convince you that they know more than they actually do, that they are an expert in something that you are not an expert in. Mc Farland had people believing that he was an expert in entertainment, technology, and rubbing elbows with celebrities. He had people convinced that he could help them to do the same thing.
I'm sure there are some people who didn't trust him. But they went along with him anyway, because there were people who did believe him, who believed that he could do exactly what he said he was going to do, despite instances in the past where he had simply wasted other people's money. But that's the nature of conformity. At the very least, if everyone else is doing it, that makes us more likely to question why we aren't doing it too. Maybe the rest of the group knows something that we don't. Maybe we're misreading the situation.
In the 1950s, Solomon Asch conducted what he said was a study on perception, that was actually a study of conformity. Actors who pretended to be fellow participants publicly selected what was clearly the wrong answer, to see if the true participant would do the same; 32% of participants conformed with the wrong answer every time across multiple trials, and 75% conformed at least once.
Obviously, there are some other cognitive fallacies occurring here and in similar scams. The sunk cost fallacy, for instance, would explain why people held onto the idea of the festival, especially if they kept paying into it over time. It's the same principle that keeps people pumping money into slot machines or staying in bad relationships - if I keep this up, eventually it will be worth it, and I've put in too much time, money, and/or effort to walk away now. That's what happens when something has a variable schedule of reinforcement. We learn from variable schedules that if you just keep it up, the reward will eventually come.
Combine the sunk cost fallacy with a charismatic leader, the promise of rubbing elbows with people we admire, and other members of our social group going along with it, and it's not surprising at all that people fell for this scam. The problem is that people are going to keep falling for it. The people who were hurt in this particular scam will probably learn their lesson and stay far away from McFarland and his endeavors. But there will always be others will fall for it. And they're unlikely to learn anything from the negative experience of their peers - they'll blame the victims, they'll insist they would have known all along, and they'll distance themselves from those who have been hurt. They'll think of them as the outgroup - people who aren't like them in the ways that matter - and ascribe negative characteristics to them.
There will always be people like McFarland. And there will always be people who fall for his song and dance.
Tuesday, May 16, 2017
Something Happens and I'm Head Over Heels
I finally got to hear one of my favorite songs performed by the band live. Last night, I went to a double-header concert of Tears for Fears and Hall & Oates. It was an awesome show, though there were a few technical difficulties and I have a couple things I was hoping to have happen that didn't. Everyone seems to have taken great care of their voices, because they sound exactly the same, and John Oates can still rock out on the guitar. He's also growing a mustache again - keep it up, John! Everyone loves the mustache.
The show was at the Allstate Arena in Rosemont. Tears for Fears had a lot of fun joking with the crowd about Rosemont versus Chicago. "Is everyone here from Rosemont? Or Chicago? Or is the same thing?" They did some witty banter throughout.
Hall & Oates, on the other hand, mostly stuck to making music, with Daryl being the only one really talking to the crowd - mostly to tell us how awesome we are and how much they enjoy performing for us, the usual script for a concert performance. Tears for Fears was much more likely to go off book.
Musically, it was about the opposite. Tears for Fears did faithful versions of their music, as well as a cover of "Creep" (that had the sweet older couple next to us Googling Radiohead during the break between acts). They closed out their set with one of my favorite songs ever, Head Over Heels, then encored with Shout.
There were a few sound issues, and even Daryl seemed to be a bit annoyed by them. Our seats were pretty close to the stage, so we could see Darryl turn to the sound guy mixing for the stage monitors and making gestures. And at one point, he also had a couple choice words for the sound guys mixing for the hall itself. In fact, during Maneater, DeChant's sax line got completely lost when guitar came in. Pretty sad, considering that, rather than having the sound of 2 saxophones (as they do in the original, with the line echoing back), they had a duet between saxophone and Oates's guitar. This was a cool effect, for the parts I could hear, and I would have liked to have heard more. They seemed to fix the saxophone sound issues after that, though, because he was clear for the rest of the night.
As with Tears for Fears, Hall & Oates also stuck to their hits:
1. Hall & Oates didn't perform one of my favorites of their songs:
The video is hella cheesy, but it's a great song. It might be considered one of their deep tracks, so I don't know if they really perform it, especially these days.
2. Considering that Daryl Hall has a show called Live from Daryl's House (which they had playing during the break between sets), where he performs with other artists and groups, I would have loved for Hall & Oates to play one or two songs with Tears for Fears.
Minor complaints, really. It was an awesome show and I'm thrilled I got to be there! And now, here's the video for Head Over Heels, for no other reason than I love this song:
The show was at the Allstate Arena in Rosemont. Tears for Fears had a lot of fun joking with the crowd about Rosemont versus Chicago. "Is everyone here from Rosemont? Or Chicago? Or is the same thing?" They did some witty banter throughout.
Hall & Oates, on the other hand, mostly stuck to making music, with Daryl being the only one really talking to the crowd - mostly to tell us how awesome we are and how much they enjoy performing for us, the usual script for a concert performance. Tears for Fears was much more likely to go off book.
Musically, it was about the opposite. Tears for Fears did faithful versions of their music, as well as a cover of "Creep" (that had the sweet older couple next to us Googling Radiohead during the break between acts). They closed out their set with one of my favorite songs ever, Head Over Heels, then encored with Shout.
- Everybody Wants To Rule The World
- Secret World
- Sowing The Seeds Of Love
- Advice For The Young At Heart
- Everybody Loves A Happy Ending
- Change
- Mad World
- Memories Fade
- Creep
- Pale Shelter
- Break It Down Again
- Head Over Heels
- Shout
There were a few sound issues, and even Daryl seemed to be a bit annoyed by them. Our seats were pretty close to the stage, so we could see Darryl turn to the sound guy mixing for the stage monitors and making gestures. And at one point, he also had a couple choice words for the sound guys mixing for the hall itself. In fact, during Maneater, DeChant's sax line got completely lost when guitar came in. Pretty sad, considering that, rather than having the sound of 2 saxophones (as they do in the original, with the line echoing back), they had a duet between saxophone and Oates's guitar. This was a cool effect, for the parts I could hear, and I would have liked to have heard more. They seemed to fix the saxophone sound issues after that, though, because he was clear for the rest of the night.
As with Tears for Fears, Hall & Oates also stuck to their hits:
- Adult Education
- Maneater
- Out Of Touch
- Say It Isn't So
- You've Lost That Lovin' Feelin'
- One on One
- Possession Obsession
- She's Gone
- Sara Smile
- Wait For Me
- Is It A Star
- Method of Modern Love
- I Can't Go For That
- You Make My Dreams
- Rich Girl
- Kiss On My List
- Private Eyes
1. Hall & Oates didn't perform one of my favorites of their songs:
The video is hella cheesy, but it's a great song. It might be considered one of their deep tracks, so I don't know if they really perform it, especially these days.
2. Considering that Daryl Hall has a show called Live from Daryl's House (which they had playing during the break between sets), where he performs with other artists and groups, I would have loved for Hall & Oates to play one or two songs with Tears for Fears.
Minor complaints, really. It was an awesome show and I'm thrilled I got to be there! And now, here's the video for Head Over Heels, for no other reason than I love this song:
Thursday, May 11, 2017
My Trump Administration Conspiracy Theory
Trump has done many things that leave us scratching our heads. The most recent being, of course, firing FBI Director James Comey. Despite praising Comey on the campaign trail with regard to the investigation in Hillary Clinton's email server, Trump insists he's fired for the very same reason.
Cue Kellyanne Conway spouting more alternative facts...
And Sean Spicer literally hides (in bushes) to avoid the press:
Oh yeah, and Trump also updated the header on his Twitter feed, to a tweet saying there was "'no evidence' of collusion w/ Russia." It's like the equivalent of a cartoon bad guy putting a sign in front of his secret lair that says, "Not secret lair" on it.
Many have pointed out that if Trump wanted to get away from the allegations about his involvement with Russia, he just did the worst thing he could do: he fired the guy who was investigating these allegations. But I have an alternate theory that explains much of his inexplicable behavior. All of this makes sense if Trump is running his presidency like a reality show. Seriously, this stuff is batshit insane but it makes for great TV. Conway and Spicer and Betsy DeVos (to name a few) are completely incompetent, but they're entertaining - just the kind of characters you'd want to have on your reality show. Even keeping Sally Yates on, rather than having an interim replacement, makes sense if you want to create TV show-style conflict.
The infighting, the Twitter rants, the namecalling - it's reality TV.
What did we expect when we elected a reality TV celebrity? But as entertaining as this may be at one level, it is terrifying at another (let's face it, it's terrifying at every other level). Because America is not a reality show. And I'm worried about what this country will look like when Trump is finally out of office.
Dear god I hope he's removed before his term is up. I can't do 4 years of this. And the "you're fired" memes might just make these insane 100+ days almost worth it.
BTW, when everyone was going nuts about the Comey firing, the Director of the Census Bureau resigned. And that's not good. So Trump could add being the president who f***ed up the census as one of his contributions.
Cue Kellyanne Conway spouting more alternative facts...
And Sean Spicer literally hides (in bushes) to avoid the press:
Oh yeah, and Trump also updated the header on his Twitter feed, to a tweet saying there was "'no evidence' of collusion w/ Russia." It's like the equivalent of a cartoon bad guy putting a sign in front of his secret lair that says, "Not secret lair" on it.
Many have pointed out that if Trump wanted to get away from the allegations about his involvement with Russia, he just did the worst thing he could do: he fired the guy who was investigating these allegations. But I have an alternate theory that explains much of his inexplicable behavior. All of this makes sense if Trump is running his presidency like a reality show. Seriously, this stuff is batshit insane but it makes for great TV. Conway and Spicer and Betsy DeVos (to name a few) are completely incompetent, but they're entertaining - just the kind of characters you'd want to have on your reality show. Even keeping Sally Yates on, rather than having an interim replacement, makes sense if you want to create TV show-style conflict.
The infighting, the Twitter rants, the namecalling - it's reality TV.
What did we expect when we elected a reality TV celebrity? But as entertaining as this may be at one level, it is terrifying at another (let's face it, it's terrifying at every other level). Because America is not a reality show. And I'm worried about what this country will look like when Trump is finally out of office.
Dear god I hope he's removed before his term is up. I can't do 4 years of this. And the "you're fired" memes might just make these insane 100+ days almost worth it.
BTW, when everyone was going nuts about the Comey firing, the Director of the Census Bureau resigned. And that's not good. So Trump could add being the president who f***ed up the census as one of his contributions.
Monday, May 1, 2017
Imitation is the Sincerest Form of Bankruptcy
According to The Guardian, Whole Foods has seen declining sales over the last six quarters and will be downsizing. The reason? Other stores are now offering products once available primarily at Whole Foods, and at much lower prices:
Founder and chief executive John Mackey explained that the business had changed because “the more conventional, mainstream supermarkets have upped their game. The world is very different today than it was five years ago.”Not only has Whole Foods been the butt of jokes over its prices; comedians have also noticed the declining foot traffic:
One rival chain, Sprouts Farmers Market, was found to be on average 19% cheaper than Whole Foods. Other rivals, including Kroger, picked up Whole Foods customers. Last month, Barclays advised that Whole Foods had experienced a “staggering” decline in foot traffic that it estimated at 3%, or roughly 14 million customers.
Whole Foods has long been the butt of jokes for its prices – although it disputes it is more expensive than it rivals – and its bougie products. Comedian John Oliver is particularly fond of its asparagus water.
Whole Foods on Sunday is just a refugee camp for people with too much money.— Jim Gaffigan (@JimGaffigan) January 25, 2015
Friday, March 24, 2017
Movie Review: Beauty and the Beast
Last night, I finally went to see the new live-action version of Beauty and the Beast. I've heard mostly good things, though many of my friends complained that Emma Watson is clearly not a singer, and since most of my friends are singers, it's not too surprising that they were hoping for better singing from the lead. While I agree that Emma's voice was thin and over-produced, I was expecting it to sound much worse than it did based on the descriptions.
No, this wasn't top-quality singing, nor was it Hugh Jackman butchering "Bring Him Home." Other than that, Emma was perfectly cast as Belle and played the character perfectly. While I know the trend now in Hollywood is that we want our lead actors to do their own singing, I would have been fine if they had gone back to the old way of doing things - casting a big name in the lead role and having a professional singer provide vocals.
Perhaps by having an actual singer in the lead role or at least on the lead vocals would have counteracted my complaint about the film: I would have liked more music, especially from the lead and drawing from the great music from the Broadway version of Disney's Beauty and the Beast. In fact, the movie annoyingly teased me with the melody to one of my favorite songs from the Broadway version, which Belle sings to the Beast after she agrees to take her father's place:
They actually used this melody a couple times in the movie. So disappointing when it never went anywhere, because it so easily could have been sung when Belle first enters her new bedroom (the first time the theme was played).
The casting in general was perfect, and I was pleasantly surprised at how good Luke Evan's vocals as Gaston were. I would love to see more musicals with him. Audra McDonald is a freaking gift to humanity and I wished she'd had a little more singing. Josh Gad was perfect as LeFou, and the additional element they added to his character (a gay man with a raging crush on Gaston) really just expanded a subtext that was, in my opinion, already there in the animated version; in fact, I loved the characterization of LeFou, his discomfort with Gaston's cruelty, and his opportunity at redemption that in general made him a much more relatable character. Dan Stephens was great as the Beast, but I have to admit, overshadowed by the amazing actors surrounding him.
The movie also changed the prologue just enough to make it much more acceptable. In the animated version, the Prince is only a child when the Enchantress visits him and tries to exchange a flower for a night's stay. We know he has to be young because the flower blooms until his 21st birthday. Can you really blame an orphaned child for not wanting a flower or to have some strange woman stay the night in his place? The curse seems unbelievably cruel. In this version, he is either a teenager or adult, and he has a reputation for being shallow. His house is full of (only beautiful) people when the Enchantress asks for a night's stay, and he responds to her with laughter and derision. The curse is still pretty cruel, but far more acceptable in this scenario.
I also liked that they included the detail that the villagers' memories of the Prince and his castle were wiped as part of the spell, which makes a lot more sense than, "Oh yeah, we have a Prince overseeing us somewhere but haven't seen him. And wait, there's a castle over there with a beast in it? No, that's where the mystery Prince's castle is. You know, the one no one visits and we haven't really thought about for years?"
The visuals of the movie are absolutely stunning. The staging kept the fun of the animated movie while bringing something new. And even though I knew exactly how it was going to turn out, I still cried - seriously, Emma Watson is an amazing actress and brought a lot to the character. I know as a singer I should be more disappointed with her singing, but her acting and characterization made it a non-issue for me. Not to mention, for anyone who saw and loved La La Land, you should know that we have Beauty and the Beast to thank for having Emma Stone in the lead role, as Watson was originally offered the role but turned it down because of her commitments with Beauty and the Beast.
So readers, have you seen the movie? What were your thoughts?
No, this wasn't top-quality singing, nor was it Hugh Jackman butchering "Bring Him Home." Other than that, Emma was perfectly cast as Belle and played the character perfectly. While I know the trend now in Hollywood is that we want our lead actors to do their own singing, I would have been fine if they had gone back to the old way of doing things - casting a big name in the lead role and having a professional singer provide vocals.
Perhaps by having an actual singer in the lead role or at least on the lead vocals would have counteracted my complaint about the film: I would have liked more music, especially from the lead and drawing from the great music from the Broadway version of Disney's Beauty and the Beast. In fact, the movie annoyingly teased me with the melody to one of my favorite songs from the Broadway version, which Belle sings to the Beast after she agrees to take her father's place:
They actually used this melody a couple times in the movie. So disappointing when it never went anywhere, because it so easily could have been sung when Belle first enters her new bedroom (the first time the theme was played).
The casting in general was perfect, and I was pleasantly surprised at how good Luke Evan's vocals as Gaston were. I would love to see more musicals with him. Audra McDonald is a freaking gift to humanity and I wished she'd had a little more singing. Josh Gad was perfect as LeFou, and the additional element they added to his character (a gay man with a raging crush on Gaston) really just expanded a subtext that was, in my opinion, already there in the animated version; in fact, I loved the characterization of LeFou, his discomfort with Gaston's cruelty, and his opportunity at redemption that in general made him a much more relatable character. Dan Stephens was great as the Beast, but I have to admit, overshadowed by the amazing actors surrounding him.
The movie also changed the prologue just enough to make it much more acceptable. In the animated version, the Prince is only a child when the Enchantress visits him and tries to exchange a flower for a night's stay. We know he has to be young because the flower blooms until his 21st birthday. Can you really blame an orphaned child for not wanting a flower or to have some strange woman stay the night in his place? The curse seems unbelievably cruel. In this version, he is either a teenager or adult, and he has a reputation for being shallow. His house is full of (only beautiful) people when the Enchantress asks for a night's stay, and he responds to her with laughter and derision. The curse is still pretty cruel, but far more acceptable in this scenario.
I also liked that they included the detail that the villagers' memories of the Prince and his castle were wiped as part of the spell, which makes a lot more sense than, "Oh yeah, we have a Prince overseeing us somewhere but haven't seen him. And wait, there's a castle over there with a beast in it? No, that's where the mystery Prince's castle is. You know, the one no one visits and we haven't really thought about for years?"
The visuals of the movie are absolutely stunning. The staging kept the fun of the animated movie while bringing something new. And even though I knew exactly how it was going to turn out, I still cried - seriously, Emma Watson is an amazing actress and brought a lot to the character. I know as a singer I should be more disappointed with her singing, but her acting and characterization made it a non-issue for me. Not to mention, for anyone who saw and loved La La Land, you should know that we have Beauty and the Beast to thank for having Emma Stone in the lead role, as Watson was originally offered the role but turned it down because of her commitments with Beauty and the Beast.
So readers, have you seen the movie? What were your thoughts?
Labels:
celebrities,
movies,
music,
review
Wednesday, March 22, 2017
You've Been Terminated
It's sad when things go on much longer than they should. Terminator was a great movie, and Terminator 2 was a freaking awesome movie (though, admittedly an awful sequel):
But then the movies just kept getting worse and worse. At long last, Paramount has finally shelved the Terminator franchise:
But then the movies just kept getting worse and worse. At long last, Paramount has finally shelved the Terminator franchise:
"It is over for The Terminator and Arnold," the source stated. "The studio has taken the sequel off the production slate completely, meaning there is no pre-production or any plans for another sequel. The talent had been offered long-term deals, but this is not happening."
The source also stated there was a chance an independent production company could step in and pick up the project, but convincing Schwarzenegger back would be "a tough ask".
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